Virág Mihály

Virág Mihály

Content translated to English by AI
director
20 June 1919, Iermeniș - 7 April 1999, Subotica

Biography

Source of the photo: https://mek.oszk.hu/02100/02139/html/sz28/289.html

He attended elementary school in Urmenjhaza and Subotica, and completed gymnasium (1939) in Subotica. In 1940, he enrolled in the Faculty of Medicine in Belgrade. After the siege of the city, he returned to Subotica. From 1941, he continued his studies in Szeged. After the war, he was a medical student in Belgrade, where he completed an acting course. In 1949, he was contracted as an actor by the National Theatre in Subotica. From 1951, he directed, and in 1952, he enrolled in the Academy of Dramatic Art in Zagreb, where he obtained a directing diploma in 1956. From 1949 to 1952, he was an actor in Subotica. Between 1956 and 1978, he was a director at the National Theatre. From 1970 to 1974 and from 1975 to 1976, he was the acting director of the Hungarian company. Between 1978 and 1989, he was a professor of acting at the Academy of Arts in Novi Sad. He directed numerous significant dramas of Hungarian and world literature (Shakespeare, Moliére, Brecht, Pirandello, O’Neill, Krleža, Svarc, Frisch, Mrożek, Camus, as well as Katona, Madách, Háy Gyula, Örkény). The so-called golden age of the theatre in the sixties is primarily attributed to him.

His Directorial Works:

Komor Gyula: Aladár nem szamár. Subotica National Theatre, 1951

Carlo Goldoni: The Fan. Subotica National Theatre, 1952

Aldo Benedetti: Twenty-Four Red Roses. Subotica National Theatre, 1953

Walter Haselclever: A Gentleman Through and Through. Subotica National Theatre, 1953

Matija Poljaković: Sunflowers. Subotica National Theatre, 1954

Molnár Ferenc: Delilah. Subotica National Theatre, 1954

Dario Nicodemi: Scampolo. Subotica National Theatre, 1954

Calderon de la Barca: Between Two Stools. Subotica National Theatre, 1955

G. Bemard Shaw: Pygmalion. Subotica National Theatre, 1955

Kvazimodo Braun István: Paying Guest. Subotica National Theatre, 1956

Federico Garcia Lorca: Blood Wedding. Subotica National Theatre, 1956

George Axelrod: The Seven Year Itch. Subotica National Theatre, 1956

Hermán Wouk: The Caine Mutiny. Subotica National Theatre, 1956

Kvazimodo Braun István: A Strange Dress Rehearsal. Subotica National Theatre, 1957

Jan de Hartog: The Fourposter. Subotica National Theatre, 1957

Gabriela Zapolska: The Morality of Mrs. Dulska. Subotica National Theatre, 1957

Sulhóf József: No Beginning, No End. Subotica National Theatre, 1958

Paul and Franz Schönthan: The Rape of the Sabine Women. Subotica National Theatre, 1958

Oscar Wilde: The Importance of Being Earnest. Subotica National Theatre, 1958

Barta Lajos: Love. Subotica National Theatre, 1958

Guielherma Figueiredo: The Fox and the Grapes. Subotica National Theatre, 1959

Berislav Kosijer: Tarantella. Subotica National Theatre, 1959

Marivaux: The Game of Love and Chance. Subotica National Theatre, 1959

John Osbome: Look Back in Anger. Subotica National Theatre, 1959

Ray Lawler: Summer of the Seventeenth Doll. Subotica National Theatre, 1959

Alexandru Kiritescu: A Nest of Magpies. Subotica National Theatre, 1960

Őrsi Ferenc: Black Fan. Subotica National Theatre, 1960

Max Frisch: Biedermann and the Arsonists. Subotica National Theatre, 1961

Pavel Kohout: Such a Great Love. Subotica National Theatre, 1962

Lope de Vega: The Dog in the Manger. Subotica National Theatre, 1962

Iván Cankar: Jemej, the Servant. Subotica National Theatre, 1962

Kállai István: Truth Comes Home. Subotica National Theatre, 1962

Miroslav Krleža: Leda. Subotica National Theatre, 1963

Bertolt Brecht: The Threepenny Opera. Subotica National Theatre, 1963

Marcel Achard: The Stupid Girl. Subotica National Theatre, 1963

Eugene O ’Neill: A Moon for the Misbegotten. Subotica National Theatre, 1964

Luigi Pirandello: Man, Beast and Virtue. Subotica National Theatre, 1964

Shelagh Delaney: A Taste of Honey. Subotica National Theatre, 1964

William Shakespeare: Much Ado About Nothing. Subotica National Theatre, 1964

Alexander Breffort–Marguerite Monnot: Irma La Douce. Subotica National Theatre, 1965

Jevgenyij Svarc: The Emperor's New Clothes. Subotica National Theatre, 1965

John Millington Synge: The Playboy of the Western World. Subotica National Theatre, 1965

Madách Imre: The Tragedy of Man. Subotica National Theatre, 1965

Slawomir Mrožek: The Police. Subotica National Theatre, 1966

Aristophanes: Lysistrata. Subotica National Theatre, 1966

Brendan Behan: The Hostage. Subotica National Theatre, 1966

Piero Barillet-Jean–Pierre Gredy: Cactus Flower. Subotica National Theatre, 1966

Alekszej Arbuzov: The Story of a Love. Subotica National Theatre, 1967

Háy Gyula: God, Emperor, Peasant. Subotica National Theatre, 1967

Örkény István: The Tóth Family. Subotica National Theatre, 1967

Murray Shisgal: Luv. Subotica National Theatre, 1968

Katona József: Bánk Bán. Subotica National Theatre, 1968

Albert Camus: Caligula. Subotica National Theatre, 1968

Deák Ferenc: Blueberries. Subotica National Theatre, 1969

Bertolt Brecht: Mother Courage and Her Children. Subotica National Theatre, 1969

Zilahy Lajos: The Witch of Imbros. Subotica National Theatre, 1970

Háy Gyula: Mohács. Subotica National Theatre, 1970

Deák Ferenc: Shortness of Breath. Subotica National Theatre, 1971

William Shakespeare: Richard III. Subotica National Theatre, 1971

Georges Feydeau: A Flea in Her Ear. Subotica National Theatre, 1972

Jacques Audiberti: The Deceived Bride. Subotica National Theatre, 1972

Friderich Dürrenmatt: Romulus the Great. Subotica National Theatre, 1972

Nathalia Ginsburg: I Married You for Fun. Subotica National Theatre, 1973

Tennessee Williams: The Night of the Iguana. Subotica National Theatre, 1973

Mihail Bulgakov: Ivan the Terrible. Subotica National Theatre, 1973

Leonard Gershe: Butterflies Are Free. Subotica National Theatre, 1973

Miroslav Krleža: Golgotha. Subotica National Theatre, 1973

Gobby Fehér Gyula: Moment of Freedom. Subotica National Theatre, 1974

Braginszkij-Rjazanov: Tonight I'm Getting Married. Subotica National Theatre, 1974

Bertolt Brecht: The Caucasian Chalk Circle. Subotica National Theatre, 1975

William Shakespeare: Romeo and Juliet. Subotica National Theatre, 1975

Heltai Jenő: The Silent Knight. Subotica National Theatre, 1976

Neil Simon: The Odd Couple. Subotica National Theatre, 1976

Peter Hacks: Amphitryon. Subotica National Theatre, 1976

Csiky Gergely: Mukányi, or the Curse of Greatness. Novi Sad Theatre, 1976

Illyés Gyula: The Seekers. Subotica National Theatre, 1978

Tolnai Ottó: Clearance Sale. Novi Sad Theatre, 1979

Dale Wasserman–Ken Kesey: One Flew Over the Cuckoo's Nest. Subotica National Theatre, 1980

Nicola Manzari: Pablito's Sisters. Subotica National Theatre, 1982

Bertolt Brecht: The Threepenny Opera. Subotica National Theatre, 1983

Tolnai Ottó: Brilliant. Novi Sad Theatre, 1985

Edward Albee: A Delicate Balance. Novi Sad Theatre, 1987

Tolnai Ottó: Brilliant. Novi Sad Theatre, 1991

Molcer Mátyás: Peace Cries Out. Novi Sad Theatre, 1993

Literature about the creator

Mihály Virág's Poetic Theatre (Homage to the Seventy-Year-Old Director)
Author: Pósa Rózsa
The shaper of an entire theatre's image
Master Performances. Mihály Virág's Theatre. Workers' University of Subotica, Subotica, 1992.
Mihály Virág, the Arsonist
One Who Could Create Style
Drama Guide. Studies, essays and theatre reviews on Hungarian dramas in Yugoslavia and their performances. Forum Publishing Institute, Novi Sad, 1998.

Interviews

At the cost of great efforts
Author: P. R.
Two Award-Winning Actors
Modernized Tradition
Author: V. J.
Légszomj is being prepared
Presentation record in the jubilee year
Demand: for the audience
Continued staff shortage at the National Theatre
Author: N. E.
Many theatrical evenings – together
Author: (-a, -r)
General of the Performances
Author: Garay Béla
In the Spirit of the Classics
Engaged Entertainment
Mukányi did not die
Author: Cs. L.
Bitter Stories from a Mental Asylum
Theatre is still poetry
Author: Z. B.
The Bajmok review has concluded
Author: B. Z.
The Legend Remains
Author: B. Z.
To Evoke the Moment of Faith
In the World of Culture
The crisis is more severe than ever
If I'm called, I'll go
"If they called, I would go..."
Author: Soltis Gyula

Prizes, scholarships